ROBERT REY (editor), Estampes, Paris 1950,

ROBERT REY (editor), Estampes, Paris 1950, contains 12 colour woodcuts/handmade paper (with watermark: Van Gelder Zonen), each colour woodcut with artist's name, title, marked “Estampe gravée sur bois en couleurs” and date in print, each signed by the artist (mostly in pencil) and numbered in pencil. XXXVI / C, marked “vu Robert Rey” in pencil, sheet dimensions HxW approx. 37x46.5 cm and 46.5x37 cm respectively, texts signed by the author. Each with signs of age, browned and stained. Without portfolio. Each sheet framed with the accompanying text in a passe-partout behind glass.
CONTAINS:
GEORGE BRAQUE ‘Still Life with Oysters’, 28 November 1949, Text pp. 1-5 Jean Paulhan; Maurice BRIANCHON ‘Snow at Auteuil’, 8 April 1950, Text pp. 7-11 Jacques de Lacretelle; Marc CHAGALL ‘La Sirène’, 17 April 1950, Text pp. 13-17 René Huyghe; Francois DESNOYER ‘Liseuses au bord de Mer’, 19 April 1950, Text pp. 19-22 André Chamson; RAOUL DUFY ‘Le Casino de la Jetée a Nice’, 20 March 1950, Text pp. 25-29 Jean-Louis Vaudoyer; MARIE LAURENCIN ‘Portrait de Femme en Rouge’, 19 July 1949, Text pp. 31-35 Louise de Vilmorin; HENRI MATISSE ‘Still Life with Magnolia’, 18 March 1950, Text pp. 37-43 Jean Cocteau; PABLO PICASSO ‘The Enamelled Saucepan’, 21 March 1950, Text pp. 45-49 Jean Cassou; MAURICE UTRILLO ‘Le Jardin de Montmagny’, 5 April 1950, Text pp. 52-55 Pierre Mac Orland; Kees VAN DONGEN ‘Tête de Femme’, 12 April 1950, Text pp. 57-61 André Maurois; Maurice VLAMINCK ‘Les Blés dans le Perche’, 14 April 1950, Text pp. 63-67 Jêrome and Jean Tharaud; H. DE WAROQUIER ‘Doliri Sacrum’, 22 December 1949, Text pp. 69-73 Daniel-Rops.